Samdani Art Foundation
_MG_8071 copy.jpg



20 – 28 February 2017  |  Srihatta - Samdani Sculpture Park and Art Centre, Sylhet and Protisruti (the Promise), Drug Rehabilitation Centre, Sylhet, Bangladesh

Pawel Althamer, Rokeya, 2017, Srihatta, Samdani Sculpture Park, Sylhet. Courtesy of the artist, Samdani Art Foundation and Foksal Gallery Foundation. Photo credit: Noor Photoface.


Polish artist Paweł Althamer, along with members of his community (neighbours) from Bródno, Poland—Maciej Karbowiak, Brian Halloran, Marcin Althamer and Michal Parnas—travelled to Bangladesh to engage alternative communities in an eight-day-long creative and collaborative Sculptural Congress workshop as part of the Samdani Art Foundation's continued Seminar programme.  Paweł and his neighbours engaged with patients of Protisruti (the Promise) drug rehabilitation centre in Sylhet, creating the communal work of art, Rokeya, with the aim of bridging understanding across social and cultural divides through the power of creativity.

Althamer’s Seminar began when he was first invited to Bangladesh in 2015 by the Samdani Art Foundation’s Artistic Director Diana Campbell Betancourt to conduct Draftman’s Congress, which engaged students from the Faculty of Fine Art (Charukola), Dhaka University, in the creation of a collective painting on canvas. It was during this trip that Paweł first visited Sylhet and upon engaging with the local community began developing his plans under Diana’s curatorial guidance for what has since, through an extraordinary collaborative process, become Rokeya.  Planning the project with Emily Dolan, Director of Operations and External Affairs, Samdani Art Foundation, their idea was awarded a Creative Encounters grant by the Asia Europe Foundation and Arts Network Asia with support from the Polish Institute New Delhi and the Samdani Art Foundation. 

Arriving in Sylhet with only a basic sketch and a rough concept for the final sculpture, Pawel spent the first three days of Sculptural Congress in a series of workshops with patients from Protisruti and local school children. Together, they created elements of a communal sculpture in clay. These elements were then merged into one sculptural form and fired within Rokeya’s internal kiln—a creative fire at the heart of the sculpture’s structural belly—around which the community’s, Paweł’s and his neighbours’ collaborative sculptures were exhibited.  To create Rokeya’s main form, a group of patients from Protisruti came to Srihatta to assist Paweł and his neighbours with weaving the bamboo frame, alongside children from local schools.  Rokeya’s colourful fabric costume was stitched by nearby village women from local textiles who also helped to drape the fabric. 

The title Rokeya was given by the village children after Paweł shared his concept for this communal work of art–its interior space–to become a place for creative activity within the community which reminded them of Begum Rokeya Sakhawat Hossain (1880 – 1932), a Bengali writer, educator, social activist, and advocate of women's rights who pioneered female education in Bangladesh.  The interactive sculpture has already engaged hundreds of local school children and community members and will continue to do so as a collective space for sculpture, art workshops and collective drawing.